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philippine cinema's best actresses

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what's a pink blog without a post on actresses. i know, i know, list posts are such a cliche. they shout "lazy!" in bold, capital letters. but please bear with me. sometimes i get so busy with my newfound career that i hardly have time to sleep, much less think of new, funny posts to make your day. chos!! so let me start this mahatma gandah's list with the best actresses, in my book, in this little part of hollwood. if you don't agree with me, go make your own list. haha 1.  nora aunor . but of course. unlike other actresses, la aunor is still great even if she is not handled by the masters (lino brocka, ishmael bernal, mario o'hara) and even if the script sucks. case in point -- the flor contemplacion story -- directed by the mediocre and overrated joel lamangan. she was so good there that she won various awards. need i say more? as i have mentioned earlier, nora was superb in nearly all of her movies -- tatlong taong walang diyos, himala, merika, and
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one fyn day

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it was a quarter past eight. too early in the morning for angels of the dark to be awake. his mind was a fog.  he could hardly keep his eyes open. he was standing at the lobby of the four seasons hotel, waiting for the lift to come and take him to the grand ballroom. where he would spend an hour in the company of bankers, fund managers and business men in dark suits. listening to a famous international economist talk about asia's economic prospects over the next ten years. how china's trumpeted economic miracle is standing on shaky grounds. all it will take is just a minor shake and the whole thing will crumble. or does it? he was dressed appropriately (an outsider pretending to be part of the circle, but still looking like an outsider). in beige brooks brothers pants. cut narrowly to flatter his well toned legs. baby pink paul smith shirt, topped with dark blue blazer from ralph lauren. tom ford glasses to cover his still sleepy eyes and dark spots under them. brow
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filipino women on the verge of.....greatness

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the year two thousand and thirteen is proving to be a great year for lovers of philippine cinema. after a good harvest at the cinemalaya in late july to early august (please click  here  to read about some of my cinemalaya reviews),  came the sineng pambansa national film festival all-masters edition (whew!) and the first cinefilipino film festival. the last two festivals, held one week apart in september, also featured films that were beyond the ordinary. if vilma santos heralded the cinemalaya festival, her erstwhile rival as queen of philippine cinema nora aunor was clearly the biggest come on of the cinefilipino festival. coincidentally (or not!), if ms. santos' entry at the cinemalaya festival, ekstra, was the top grosser in terms of box-office receipts, ms. aunor's ang kwento ni mabuti likewise earned the most among the cinefilipino entries. so whoever said that both actresses' luster at the box-office had diminished through the years is probably hallu
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