the year two thousand and thirteen is proving to be a great year for lovers of philippine cinema. after a good harvest at the cinemalaya in late july to early august (please click here to read about some of my cinemalaya reviews), came the sineng pambansa national film festival all-masters edition (whew!) and the first cinefilipino film festival. the last two festivals, held one week apart in september, also featured films that were beyond the ordinary. if vilma santos heralded the cinemalaya festival, her erstwhile rival as queen of philippine cinema nora aunor was clearly the biggest come on of the cinefilipino festival. coincidentally (or not!), if ms. santos' entry at the cinemalaya festival, ekstra, was the top grosser in terms of box-office receipts, ms. aunor's ang kwento ni mabuti likewise earned the most among the cinefilipino entries. so whoever said that both actresses' luster at the box-office had diminished through the years is probably hal...
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